Portrait: Today’s Mental Hospital Critic: Heinz Georg Kramm

Bobby Cirus

Portrait: Today’s Mental Hospital Critic: Heinz Georg Kramm

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Horst Osinger/dpa

Hazelnuts are dark brown, and the glasses are also dark brown.

The brown-blond can still talk. Even if he himself prefers the attribute “black-brown”. My lawyer helped me write these two sentences. The person who calls Heino a Nazi (Jan Delay) is in danger of being sued because he is not wisely singing about it. Now Heino has given an interview where he has toned down his tone a little. He has to do this every few years. This was printed by painting. The title is ‘Germany needs Trump’.

“It is unacceptable that in Germany people no longer dare to go out on the streets and are afraid of being stabbed. We must take strong measures against criminal immigrants. How could the author of such a statement belong to the right-wing fringe? Perhaps he was simply fulfilling his duty to document it, without any intention of creating an atmosphere. painting Heino’s worldview: “Trump wants to deport all criminal immigrants from the United States” is the only right way for Heino. “Germany needs Trump to clean up here. Broom!” This is what we read.

Our sorcerer’s apprentice has a story, no matter how unfair it may feel when you hear it. Whether it’s his tour of apartheid-ridden South Africa, or his recording of old, powerful German songs, including the dreaded Arndt’s “The God Who Made Iron Grow”, which the fascists had turned into the founders of the national movement in 1813. The movement came in 1977 when he sang all three verses of the Deutschlandlied at the suggestion of former Nazi Pilbinger. There’s a thread running through the piece, and it’s definitely not red. It looks like a duck, swims, quacks. But my lawyer assured me otherwise.

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