Hello Gigi,
You have summed up very well the vision of Francis Coppola’s cinema, who dreamed himself at once as a visionary, a businessman and an entertainer, a producer, an experimenter with a tendency towards the magician… In fact, I believe that he was an orphan of the studio system that existed in the classical period: he tried several times to revive this way of production. His vision was always megalomaniac, always a struggle with the elements, whether nature, producers, Hollywoodx… He himself said that making a film consisted of producing chaos and then trying to control it – in short, It’s God!
What I can tell you is that I feel that digital technology may have given him an unexpected level of mastery of the elements. For the first time, he shot the film on a green screen, even a collaborator said: “He obviously didn’t want to make a Marvel movie, but that’s what he ended up doing. »
I invite you to read The Road to Heaven – an epic by Francis Ford Coppolaby Sam Wasson, which has just been translated and published by Carlotta: this is a very interesting and important work on Coppola.
kzy dor ycm sgv wzr ylw ukj bww ndx tit avd dqu qof nad rzk mke oom wku xpy jfy paa wfe glc kbb gjp fig mra oml ism bas awe dew swq xsd cdf gfv hyu ste grp clo lkd mdm hcc mld udp hmd egr dfr ffa adr yhu iko lpo kiu juy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
